Music + Sound Awards 2012


Finally, an award ceremony designed to recognise and celebrate the essential role that music and sound plays in the world of visual media. In it’s first year, Music + Sound Awards promises to kick off with a bang, and soundlounge are excited to be sponsors.

The first Music + Sound Awards really has got everything going for it: Taking place on 23rd February at the beautiful KOKO in Camden, the ceremony will be hosted by comedian Adam Buxton. There are also going to be performances from the Noisettes, Newton Faulkner, and DJ sets from Gary Numan and Ade Fenton.

Also on the cards are a host of industry judges such as Imogen Heap, and Emmy winning composer John Altman. Submissions have been entered from Ad agencies, production companies, composers, film studios, directors, publishers, labels, and music production companies so it really is the best of music and sound. Unsurprisingly tickets for this event are selling fast so reserve your place now by emailing tickets@masawards.com

We hope to see you there.

Can an advert really change a song’s meaning?

As Music Supervisors, we are always fascinated by the music used in advertising commercials, and we’re not the only ones. Watch an advert on Youtube and almost all the comments relate to music, either praising or berating. One of the biggest complaints seems to be how the original meaning of a song is totally inappropriate for an advert. They have of course got a point when listening to a song in isolation. But what happens when you synch it with new visuals, or just use the lyrics you want, or reinterpret the song with another emphasis? Does a song’s original meaning even matter?

The Pixies “Where Is My Mind” may not be an obvious choice for an advert, particularly when you realise the original meaning is about the lead singer loosing his mind due to drug use. However, Thomson Holidays have used a beautiful instrumental cover of this song to give new meaning to support the stunning visuals:

Historically, there are hundreds of ads with songs that people argue are inappropriate due to their original meaning. At the top of a couple of lists we found was the Microsoft Windows 95 campaign using the Rolling Stones’ “Start Me Up”:

Apart from the fact that Microsoft paid an alleged $8,000,000 to use this track, a lot of comments condemned this track as inappropriate due to the sexual nature of the lyrics.

Another ad frequently criticised for the music choice is Waitrose’s ad using “Golden Brown” by the Stranglers.

The amazing thing about music is that by changing the context in which it is heard, we can change the way it is perceived, regardless of the original meaning. A powerful example of this is Johnny Cash’s “Hurt”. This track, originally written by Trent Reznor, is given a totally new meaning when sung by Johnny Cash, particularly when coupled with the video for Cash’s version. Suddenly all we see and feel is the deteriorating health of Cash and the chaotic life he led. This shows how reinterpreting a song can also give it new meaning, something brands such as John Lewis are becoming experts at.

Professor Charles Spence, cognitive Psychologist from Oxford helps shed some light onto the effect of combining visuals and sounds. His studies show that by successfully matching up audio and visuals, the sensory experience is enhanced by up to 1,207%. However, when the match is wrong, the impact can be reduced by up to 86%.

The examples above visually link up perfectly with the appropriate lyrics and so magnify the effectiveness of the ad and give the lyrics new meaning. In the Waitrose ad “Golden Brown” no longer refers to drugs, but the colours of autumn. So, does this mean you can use any song in any context? Well perhaps not, but you certainly shouldn’t be put off by the original meaning of a song. If you focus on the right lyrics and match them well with visuals, you can re-contextualize the original music in both an exciting and commercially effective way.

soundlounge Top 5: Adverts of 2011

Forget special effects and lighting with this list of top adverts. Here we focus purely on the marriage of music and visuals in our favourite adverts of 2011. A good match of music and visuals is the perfect example of the whole being greater than the sum of its parts. So without further ado, please enjoy the following clips as examples of the best partnership of music and visuals in 2011:

No. 5: Heineken “The Entrance” 

Wieden & Kennedy produced this ad and wisely picked “Golden Age” by The Asteroids Galaxy Tour to match the shiny and glamorous visuals. As seamlessly as the main character takes to the stage, so too does the music go from a recorded sound to a live sound (non-diegetic to diegetic for the musos out there).

No. 4: Thomson Holidays “Time For A Holiday”

Firstly, it’s nice to see a holiday ad with great visuals. This original take on the holiday ad is beautifully shot and uses an equally beautiful track. The keen-eared among you will recognise it as a cover of the Pixies’ “Where Is My Mind” arranged and conducted by Guy Farley. We’ll certainly be keeping an eye on what Thomson come up with for 2012.

No. 3: Lynx Excite “Even Angels Will Fall”

Another great advert by Lynx, but the gravitas of the falling angels is made even more significant by the powerful and stirring rendition of “Sexy boy” by Air. The song choice isn’t what’s inspired here (“sexy boy” must have been on the cards for lynx for years); it’s the production of the cover that makes this advert. It just goes to show how far a good cover can take you.

No. 2: Assassin’s Creed Revelations

Computer game adverts have taken a whole new cinematic turn thanks to the advances in animation and game sophistication. This allows for visually brilliant ads and therefore the chance to pair them with tracks like “Iron” by Woodkid. The percussion and brass in this matches perfectly to the dramatic and cinematic scenes in the trailer.

No. 1: Avios “Anything Can Fly”

Who’d have thought an airmiles ad could be so captivating? The beautifully strange visuals are paired with a brave choice of music (“Underwaters” by Leila Arab) that works brilliantly with the images of random household goods flitting about in the air. The music choice could have easily gone down a safe acoustic-quirky route, but instead we’re left with a track that, much like the visuals, remains quirky but in a wholly original and modern way.

Check our blog soon for our top albums of 2011… the list is shaping up nicely!

Inspired!

Below is the latest selection of inspiring web finds we have unearthed this week.

At the Arab Museum of Modern Art in Doha, Qatar this week, Chinese artist Cai Guo-Qiang put on his largest “explosion event” of the last three years, utilizing microchip-controlled explosives to form incredible designs and patterns. The video we’ve embedded of the event is an impressive testament to how a volatile black powder explosion can be controlled and shaped by computer.Each set of explosions was calculated to paint a different picture. One series of explosions created black smoke clouds that looked like “drops of ink splattered across the sky.”

‘Hero’ is short film by Miguel Endara, documenting the creation of a drawing composed entirely out of 3.2 million ink dots. Simple but very effective.

An unexpected side-effect of the 2010 flooding in parts of Sindh, Pakistan, was that millions of spiders climbed up into the trees to escape the rising flood waters; because of the scale of the flooding and the fact that the water took so long to recede, many trees became cocooned in spiders webs. This photo is just one of the incredible series from the National Geographic Photo Contest 2011. See more photos here.

Twelve Things You Were Not Taught in School About Creative Thinking

We thought we’d share with you, these interesting insights on creative thinking written by Michael Michalko, one of the most highly acclaimed creativity experts in the world and author of the best sellers Thinkertoys (A Handbook of Business Creativity), ThinkPak (A Brainstorming Card Deck), and Cracking Creativity (The Secrets Of Creative Genius). Michalko’s ’12 aspects of creative thinking that are not usually taught’ might even inspire you to get those creative juices flowing..

1. You are creative. The artist is not a special person, each one of us is a special kind of artist. Every one of us is born a creative, spontaneous thinker. The only difference between people who are creative and people who are not is a simple belief. Creative people believe they are creative. People who believe they are not creative, are not. Once you have a particular identity and set of beliefs about yourself, you become interested in seeking out the skills needed to express your identity and beliefs. This is why people who believe they are creative become creative. If you believe you are not creative, then there is no need to learn how to become creative and you don’t. The reality is that believing you are not creative excuses you from trying or attempting anything new. When someone tells you that they are not creative, you are talking to someone who has no interest and will make no effort to be a creative thinker.

2. Creative thinking is work. You must have passion and the determination to immerse yourself in the process of creating new and different ideas. Then you must have patience to persevere against all adversity. All creative geniuses work passionately hard and produce incredible numbers of ideas, most of which are bad. In fact, more bad poems were written by the major poets than by minor poets. Thomas Edison created 3000 different ideas for lighting systems before he evaluated them for practicality and profitability. Wolfgang Amadeus Mozart produced more than six hundred pieces of music, including forty-one symphonies and some forty-odd operas and masses, during his short creative life. Rembrandt produced around 650 paintings and 2,000 drawings and Picasso executed more than 20,000 works. Shakespeare wrote 154 sonnets. Some were masterpieces, while others were no better than his contemporaries could have written, and some were simply bad.

3. You must go through the motions of being creative. When you are producing ideas, you are replenishing neurotransmitters linked to genes that are being turned on and off in response to what your brain is doing, which in turn is responding to challenges. When you go through the motions of trying to come up with new ideas, you are energizing your brain by increasing the number of contacts between neurons. The more times you try to get ideas, the more active your brain becomes and the more creative you become. If you want to become an artist and all you did was paint a picture every day, you will become an artist. You may not become another Vincent Van Gogh, but you will become more of an artist than someone who has never tried.

4. Your brain is not a computer. Your brain is a dynamic system that evolves its patterns of activity rather than computes them like a computer. It thrives on the creative energy of feedback from experiences real or fictional. You can synthesize experience; literally create it in your own imagination. The human brain cannot tell the difference between an “actual” experience and an experience imagined vividly and in detail. This discovery is what enabled Albert Einstein to create his thought experiments with imaginary scenarios that led to his revolutionary ideas about space and time. One day, for example, he imagined falling in love. Then he imagined meeting the woman he fell in love with two weeks after he fell in love. This led to his theory of acausality. The same process of synthesizing experience allowed Walt Disney to bring his fantasies to life.

5. There is no one right answer. Reality is ambiguous. Aristotle said it is either A or not-A. It cannot be both. The sky is either blue or not blue. This is black and white thinking as the sky is a billion different shades of blue. A beam of light is either a wave or not a wave (A or not-A). Physicists discovered that light can be either a wave or particle depending on the viewpoint of the observer. The only certainty in life is uncertainty. When trying to get ideas, do not censor or evaluate them as they occur. Nothing kills creativity faster than self-censorship of ideas while generating them. Think of all your ideas as possibilities and generate as many as you can before you decide which ones to select. The world is not black or white. It is grey.

6. Never stop with your first good idea. Always strive to find a better one and continue until you have one that is still better. In 1862, Phillip Reis demonstrated his invention which could transmit music over the wires. He was days away from improving it into a telephone that could transmit speech. Every communication expert in Germany dissuaded him from making improvements, as they said the telegraph is good enough. No one would buy or use a telephone. Ten years later, Alexander Graham Bell patented the telephone. Spencer Silver developed a new adhesive for 3M that stuck to objects but could easily be lifted off. It was first marketed as a bulletin board adhesive so the boards could be moved easily from place to place. There was no market for it. Silver didn’t discard it. One day Arthur Fry, another 3M employee, was singing in the church’s choir when his page marker fell out of his hymnal. Fry coated his page markers with Silver’s adhesive and discovered the markers stayed in place, yet lifted off without damaging the page. Hence the Post-it Notes were born. Thomas Edison was always trying to spring board from one idea to another in his work. He spring boarded his work from the telephone (sounds transmitted) to the phonograph (sounds recorded) and, finally, to motion pictures (images recorded).

7. Expect the experts to be negative. The more expert and specialized a person becomes, the more their mindset becomes narrowed and the more fixated they become on confirming what they believe to be absolute. Consequently, when confronted with new and different ideas, their focus will be on conformity. Does it conform with what I know is right? If not, experts will spend all their time showing and explaining why it can’t be done and why it can’t work. They will not look for ways to make it work or get it done because this might demonstrate that what they regarded as absolute is not absolute at all. This is why when Fred Smith created Federal Express, every delivery expert in the U.S. predicted its certain doom. After all, they said, if this delivery concept was doable, the Post Office or UPS would have done it long ago.

8. Trust your instincts. Don’t allow yourself to get discouraged. Albert Einstein was expelled from school because his attitude had a negative effect on serious students; he failed his university entrance exam and had to attend a trade school for one year before finally being admitted; and was the only one in his graduating class who did not get a teaching position because no professor would recommend him. One professor said Einstein was “the laziest dog” the university ever had. Beethoven’s parents were told he was too stupid to be a music composer. Charles Darwin’s colleagues called him a fool and what he was doing “fool’s experiments” when he worked on his theory of biological evolution. Walt Disney was fired from his first job on a newspaper because “he lacked imagination.” Thomas Edison had only two years of formal schooling, was totally deaf in one ear and was hard of hearing in the other, was fired from his first job as a newsboy and later fired from his job as a telegrapher; and still he became the most famous inventor in the history of the U.S.

9. There is no such thing as failure.
Whenever you try to do something and do not succeed, you do not fail. You have learned something that does not work. Always ask “What have I learned about what doesn’t work?”, “Can this explain something that I didn’t set out to explain?”, and “What have I discovered that I didn’t set out to discover?” Whenever someone tells you that they have never made a mistake, you are talking to someone who has never tried anything new.

10. You do not see things as they are; you see them as you are.
Interpret your own experiences. All experiences are neutral. They have no meaning. You give them meaning by the way you choose to interpret them. If you are a priest, you see evidence of God everywhere. If you are an atheist, you see the absence of God everywhere. IBM observed that no one in the world had a personal computer. IBM interpreted this to mean there was no market. College dropouts, Bill Gates and Steve Jobs, looked at the same absence of personal computers and saw a massive opportunity. Once Thomas Edison was approached by an assistant while working on the filament for the light bulb. The assistant asked Edison why he didn’t give up. “After all,” he said, “you have failed 5000 times.” Edison looked at him and told him that he didn’t understand what the assistant meant by failure, because, Edison said, “I have discovered 5000 things that don’t work.” You construct your own reality by how you choose to interpret your experiences.

11. Always approach a problem on its own terms. Do not trust your first perspective of a problem as it will be too biased toward your usual way of thinking. Always look at your problem from multiple perspectives. Always remember that genius is finding a perspective no one else has taken. Look for different ways to look at the problem. Write the problem statement several times using different words. Take another role, for example, how would someone else see it, how would Jay Leno, Pablo Picasso, George Patton see it? Draw a picture of the problem, make a model, or mold a sculpture. Take a walk and look for things that metaphorically represent the problem and force connections between those things and the problem (How is a broken store window like my communications problem with my students?) Ask your friends and strangers how they see the problem. Ask a child. How would a ten year old solve it? Ask a grandparent. Imagine you are the problem. When you change the way you look at things, the things you look at change.

12. Learn to think unconventionally. Creative geniuses do not think analytically and logically. Conventional, logical, analytical thinkers are exclusive thinkers which means they exclude all information that is not related to the problem. They look for ways to eliminate possibilities. Creative geniuses are inclusive thinkers which mean they look for ways to include everything, including things that are dissimilar and totally unrelated. Generating associations and connections between unrelated or dissimilar subjects is how they provoke different thinking patterns in their brain. These new patterns lead to new connections which give them a different way to focus on the information and different ways to interpret what they are focusing on. This is how original and truly novel ideas are created. Albert Einstein once famously remarked “Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”

And, finally, Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.

The Jimi Hendrix Of Whistling

This chap’s ability to whistle is even more impressive than his mullet.

Keep On Walking

Following on from a previous post God’s Eye View, we wanted to share another great compilation of footage from various films, this time focusing on rear view shots of people waling. Have a look – honestly it’s a lot better than it sounds!

God’s Eye View

A montage of overhead shots from various films, all very skillfully edited together by Brian Carroll. The video is cut to the Yeah Yeah Yeah’s track ‘Down Boy’.

Inspired!

Montblanc in conjunction with Leo Burnett Milan have created ‘The Beauty Of A Second’, a film challenge curated by Wim Wenders, where people are asked to capture the beauty of a second on film. Above is a 60 second compilation from the first round which demonstrates just how much you can capture in one second and has inspired many of us here at soundlounge to charge-up the batteries on our digital cameras and capture some beauty!

Top 5 Musical Mutinies

A petition has this week fallen just short of preventing Nickelback from playing at an Amercian football game. It’s a strong reminder that music can polarise opinion. With this in mind we’ve put together a list of our top 5 moments in history where music split public opinion violently in two.

5. Nickelback halftime controversy

This is the online petition to stop Nickleback playing at the Detroit Lions vs. Green Bay Packers match. They received 55,577 out of the required 75,000 signatures – apparently some people really don’t like Nickelback…see the performance here.

4. Steve Reich – Four Organs

Although initially well received, subsequent performances fell victim to some overtly outspoken opposition on more than one occasion. In 1973 one woman even took to banging her head on the stage in a plea to make the musicians stop. Click here for more

3. Burning Beatles records

The Beatles revolution was not without opposition, particularly in the more religious communities of the United States. There’s no doubt that many people were waiting for an excuse to publicly demonise the band and John Lennon declaring that the Fab Four were ‘bigger than Jesus’ was the perfect opportunity to fire a very public protest.Click here for more

2. Electric Dylan

Dylan caused a rupture in the folk community when he plugged in his guitar and performed with a backing band at the Newport Folk Festival in 1965. The shift was too shocking for some, with Pete Seeger reportedly trying to unplug the newly electrified troubadour (a fact that he later disputed). Click here for more info.

1. Riots at the ‘Rite Of Spring’

Stravinsky’s ballet ‘The Rite Of Spring’ created an uproar at its premiere in Paris in 1913 due to its revolutionary rhythmic style and radical choreography. Some audience members loved it and some hated it, a dispute that quickly escalated from boos to violence.

Click here for more

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